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＜p＞＜em＞Anything can happen in New Orleans…and it usually does. A comedy of errors occur when a maid of honor, pretending to be a stripper, encounters the best man, pretending to be the groom. Then things really start to heat up…＜/em＞＜/p＞ ＜p＞When I agreed to be my best friend’s maid of honor, I thought it would be fun. Maybe I’d even meet a nice, single guy at the reception. But now the bride is missing, I have the hang over from hell and it seems I might have accidentally had sex with the groom last night while pretending to be a stripper to spy on him at his bachelor party… Or maybe I didn’t.＜/p＞ ＜p＞It’s hard to tell since I can’t remember much past drinking that last Hurricane on Bourbon Street. There’s also this matter of the groom’s identical twin brother and the fact they have a habit of switching places.＜/p＞ ＜p＞I do know one thing, nothing is what it seems in New Orleans. Anything can happen…and it usually does.＜/p＞ ＜p＞＜strong＞Review＜/strong＞: “Let four girls loose in New Orleans add some alcohol and throw in a nervous and jealous bride and you have a perfect story to tell in the morning.” 4 stars, Debbie, ＜em＞Good Choice Reading＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Accounts of dare-devil exploits have always been read with deep interest. One of the salient features of human nature is curiosity, a desire to know what is being said and done outside the narrow limits of one's individual experience, or, in other words, to learn the modes of life of persons whose environment and problems are different from one's own environment and problems. To this natural curiosity, the book of travel is particularly gratifying. But when we add to the fact that such a narrative treats of races and conditions almost unknown to the inhabitants of civilised countries the consideration that those voyageurs to whom the adventures fell are men and women already prominently before the public, and so deserving of that public's special confidence, the interest and value of such a work will be seen to be extraordinarily enhanced. The cruise of Jack London's forty-five-foot ketch Snark was followed eagerly by the press of several continents. The Snark alone was enough to compel attention, but the Snark sailed by Jack London, a writer of world-wide celebrity, was irresistible. The venture caught the world's fancy. Periodicals devoted columns to a discussion of the Snark and her builder, and to the daring crew who sailed the tiny craft for two years through the South Seas. When it became known that such a voyage was in contemplation, hundreds of persons wrote to Mr. London, begging that he allow them to accompany him. On the other extreme, they were legion who threw up their hands in horror at the mere suggestion....＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Although regular literary organs, and the critical columns of the press, are both of comparatively recent origin, we find that almost from the beginning our journalists aspired to be critics as well as newsmongers. Under Charles II, Sir Roger L'Estrange issued his Observator (1681), which was a weekly review, not a chronicle; and John Dunton's The Athenian Mercury (1690), is best described as a sort of early "Notes and Queries." Here, as elsewhere, Defoe developed this branch of journalism, particularly in his Review (1704), and in Mist's Journal (1714). And, again, as in all other departments, his methods were not materially improved upon until Leigh Hunt, and his brother John, started The Examiner in 1808, soon after the rise of the Reviews. Addison and Steele, of course, had treated literary topics in The Spectator or The Tatler; but the serious discussion of contemporary writers began with the Whig Edinburgh of 1802 and the Tory Quarterly of 1809. By the end of George III's reign every daily paper had its column of book-notices; while 1817 marks an epoch in the weekly press; when William Jerdan started The Observator (parent of our Athenaeum) in order to furnish (for one shilling weekly) "a clear and instructive picture of the moral and literary improvement of the time, and a complete and authentic chronological literary record for reference." Though probably there is no form of literature more widely practised, and less organised, than the review, it would be safe to say that every example stands somewhere between a critical essay and a publisher's advertisement. We need not, however, consider here the many influences which may corrupt newspaper criticism to-day, nor concern ourselves with those legitimate "notices of books" which only aim at "telling the story" or otherwise offering guidance for an "order from the library.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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TOWER RECORDSの商品です

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