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＜p＞The original Phantom : Before the Andrew Lloyd Webbers musical, there was Gaston Lerouxs original novel The Phantom of the Opera. If you have never seen the production stage, and know only a few things of the story, then...when you reach the middle of the narrative you will be surprised because it is totally different from what you will expect. And it is a great surprise.＜/p＞ ＜p＞More than a love story, The Phantom of the Opera is a gothic tale of obsession --leading to madness. The Paris Opera House and its hidden rooms, and underground are the perfect place to develop a horror story. Leroux noticed this potential. His descriptions of the place are creepy and in the end we start wondering if it is not a true story indeed.＜/p＞ ＜p＞Leroux was very smart, writing a novel like he was only reporting something --and not creating a work of fiction. Therefore there are police reports, newspapers scraps, witness interviews. More than a narrator, the person who is telling the story is only gathering useful information for the reader.＜/p＞ ＜p＞His characters are real human beings --even the `ghost, of whom throughout the narrative we realize that he is the one with most human characteristics. Sometimes, Christine is a little stereotypical, mostly when she says she wants to be `the mistress of her faith or something like it. And so is Raoul --but that doesnt diminish the qualities of this engaging novel.＜/p＞ ＜p＞All in all, this is a French classic that is highly recommended.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade.＜/p＞ ＜p＞When I began to ransack the archives of the National Academy of Music I was at once struck by the surprising coincidences between the phenomena ascribed to the "ghost" and the most extraordinary and fantastic tragedy that ever excited the Paris upper classes; and I soon conceived the idea that this tragedy might reasonably be explained by the phenomena in question. The events do not date more than thirty years back; and it would not be difficult to find at the present day, in the foyer of the ballet, old men of the highest respectability, men upon whose word one could absolutely rely, who would remember as though they happened yesterday the mysterious and dramatic conditions that attended the kidnapping of Christine Daae, the disappearance of the Vicomte de Chagny and the death of his elder brother, Count Philippe, whose body was found on the bank of the lake that exists in the lower cellars of the Opera on the Rue-Scribe side. But none of those witnesses had until that day thought that there was any reason for connecting the more or less legendary figure of the Opera ghost with that terrible story.＜/p＞ ＜p＞The truth was slow to enter my mind, puzzled by an inquiry that at every moment was complicated by events which, at first sight, might be looked upon as superhuman; and more than once I was within an ace of abandoning a task in which I was exhausting myself in the hopeless pursuit of a vain image. At last, I received the proof that my presentiments had not deceived me, and I was rewarded for all my efforts on the day when I acquired the certainty that the Opera ghost was more than a mere shade.＜/p＞ ＜p＞On that day, I had spent long hours over THE MEMOIRS OF A MANAGER, the light and frivolous work of the too-skeptical Moncharmin, who, during his term at the Opera, understood nothing of the mysterious behavior of the ghost and who was making all the fun of it that he could at the very moment when he became the first victim of the curious financial operation that went on inside the "magic envelope."＜/p＞ ＜p＞I had just left the library in despair, when I met the delightful acting-manager of our National Academy, who stood chatting on a landing with a lively and well-groomed little old man, to whom he introduced me gaily. The acting-manager knew all about my investigations and how eagerly and unsuccessfully I had been trying to discover the whereabouts of the examining magistrate in the famous Chagny case, M. Faure. Nobody knew what had become of him, alive or dead; and here he was back from Canada, where he had spent fifteen years, and the first thing he had done, on his return to Paris, was to come to the secretarial offices at the Opera and ask for a free seat. The little old man was M. Faure himself.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞According to Wikipedia: "Gaston Louis Alfred Leroux (6 May 1868, Paris, France 15 April 1927) was a French journalist and author of detective fiction. In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fant?me de l'Op?ra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay... He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bern?de formed their own film company, Soci?t? des Cin?romans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le myst?re de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞According to Wikipedia: "Gaston Louis Alfred Leroux (6 May 1868, Paris, France 15 April 1927) was a French journalist and author of detective fiction. In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fant?me de l'Op?ra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay... He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bern?de formed their own film company, Soci?t? des Cin?romans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le myst?re de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Finally available, a high quality book of the original classic edition of The Paston Letters, Volume IV (of 6) - New Complete Library Edition. It was previously published by other bona fide publishers, and is now, after many years, back in print.＜/p＞ ＜p＞This is a new and freshly published edition of this culturally important work by James Gairdner, which is now, at last, again available to you.＜/p＞ ＜p＞Get the PDF and EPUB NOW as well. Included in your purchase you have The Paston Letters, Volume IV (of 6) - New Complete Library Edition in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.＜/p＞ ＜p＞Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Paston Letters, Volume IV (of 6) - New Complete Library Edition:＜/p＞ ＜p＞Look inside the book:＜/p＞ ＜p＞For, syr, and it please you, as for myn inheritaunce and other things whiche shulde come to me after the deth of my fader, whoes liff God preserve to his long plesauns, knowing that I shall never com ther, I hadde lever that by your good a vise that ye wolde take it unto you, for I hadde lever that ye hadde it rather than any person in the worlde during my liff, with all the profites ther of; and if that ye wole make as good evidences for you in that partye as ye can, and I shall a seale hem. ...Item, he lete hem wete that the Kyng had commandyd hym to sey if ther were any man, pore or ryche, that had cause to complayne of any person that he schuld put up his bylle to the shref and hym, and they schuld set a reule be twyx hem; and if he wold not abyde ther reule they schuld delyver the sayd bylle of compleynt to the Kynges hignesse, and he schuld set the rewle and suche dyreccion that the party compleynaunt or defendaunt schuld be punysshed for his dysobeysauns of the said rewle if the case requyred; and also more over, if ther were ony person that put up ony suche bylle, and it mygth apere to them by ther examinacion or other wyse fals or untrewe, or elles be cause of malyce, that than suche compleynaunts schuld sharpely be punysshed.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Finally available, a high quality book of the original classic edition of The Paston Letters, Volume III (of 6) - New Complete Library Edition. It was previously published by other bona fide publishers, and is now, after many years, back in print.＜/p＞ ＜p＞This is a new and freshly published edition of this culturally important work by James Gairdner, which is now, at last, again available to you.＜/p＞ ＜p＞Get the PDF and EPUB NOW as well. Included in your purchase you have The Paston Letters, Volume III (of 6) - New Complete Library Edition in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.＜/p＞ ＜p＞Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Paston Letters, Volume III (of 6) - New Complete Library Edition:＜/p＞ ＜p＞Look inside the book:＜/p＞ ＜p＞And lyke yow to wete that at this tyme I sende to yow myn welbeloved frende and servant, Sir Thomas Howys, to have youre good councell and advyse how and in what wyse he may best be demened there at this tyme in his yeldyng to the Sheref upon his exigend, wheche is and shal be v. tymes called as on Monday next comyng, as I understande; and, the same by good and discrete advyse concluded and sette in a good weye by sewertes found to appere at London the day of the retorn of the wrytte or otherwyse, that thenne if ye thenke hit be to do’n to do, ye lyke to take upon yow to comon with myne Lord of Norwyche,18.2 recomaundyng me to hys good and tender Lordship, and declaryng to hym how and in what wyse the seyd Sir Thomas was demened in the oyer and determyner, and sethe how he hath wrongously and with ought cause be vexed by John Andrews and other, and greetly trowbled, wherupon this atteynt now is grownded, in such wyse as ye thenk best to be done; and that his Lordship by youre medyacion here after geve not any favore to any persone or persones on myne contrarye partye for any synystre informacion geven other wyse than the trought in the mater shal require, as he shal weel understande by youre good reporte, for ye know the same mater weel. ...And for the noble lordship and supportacion shewid unto me at all tymes, I beseche our Lord God guerdon yow, where as I may not, but only as yowr daily and contynuell bedeman, now in myn age, pray for 21 the good prosperite of youre right highe and noble estate, as I am gretly bounde to doo; prayng tendirly yowre Highnesse to contynue yowre good lordship and supportacion in the materes touchyng your servaunt John Porter and my pore Chappelleyn Sir Thomas Howes, trustyng verily to God that, with the supportacion of your good Lordship, there mater shall yette come to a good conclusion in punisshyng of perjure and embracery that many yeris hathe ben and yette is usid in this shire, whiche were grete merite, and to my conceyte, in yow that ar soo noble a Prynce, a singler renoune, as for the beste dede that may be doo for the weel of bothe shires.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Welcome to the illogical, idiosyncratic, outrageous linguistic phenomenon known as the English language. The story of how this ragtag collection of words evolved is a winding tale replete with intriguing accidents and bizarre twists of fate. In this eye-opening, fabulously entertaining book, James Essinger unlocks the mysteries that have confounded linguists and scholars for millennia.＜/p＞ ＜p＞From the sophisticated writing systems of the ancient Sumerians through the tongue twisters of Middle English, the popular National Spelling Bee, and the mobile phone text-messaging of today, ＜strong＞Spellbound＜/strong＞ chronicles the fascinating history of English spelling, including insights about the vast number of words English has borrowed from other languages (“orange,” “vanilla,” and “ketchup,” to name a few), and how their meanings differ from country to country. Featuring a lively cast of characters ranging from the fictional to the historically noteworthy (Chaucer, Samuel Johnson, Noah Webster, Shakespeare, Bill Gates), this affectionate tribute to English spelling shows why our whimsical, capricious common language continues to hold us spellbound.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。