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【輸入盤ブルーレイ】PERVERSION STORY

  • 価格¥4,890
  • 輸入盤ブルーレイですが日本のブルーレイ・プレイヤーで視聴できます。※ご確認ください※一部輸入版アニメブルーレイには、「リージョンコード」とは別の「国コード」というものが設定されている作品がございます。お持ちのブルーレイ・プレイヤーが国コードをアメリカ等に変更できるかどうかご確認ください。(機種によりましては変更できない機種がございます。その場合はご視聴できない可能性がございますのでご注意ください。)国コードをアメリカ(日本以外)に設定してご覧ください。PS3、PS4、PS5は 初期設定で再生可能です。種別:BLU-RAYジャンル:Cult-Erotica発売日:2018/11/13収録分数:108公開年:1969ディスク枚数:1コメント:Dr. George Dumurrier is looking for money to expand the San Francisco based clinic he runs with his brother. He is also having an affair with Jane, a glamorous fashion photographer. When Dumurrier's wife Susan dies following an asthma attack, leaving him a million dollar insurance payout, it seems that all his problems are solved - until an anonymous phone call sends him to the Roaring 20s strip club where he is astonished to discover that it's featured performer, the dangerously desirable Monica Weston, looks exactly like his dead wife. As he tries to unravel this mystery, George learns that the police are now investigating his wife's death and that he is under suspicion of murder.

【輸入盤CD】Capirola/Cappella Musicale Di Giacomo Maggiore / Histor...

  • 価格¥2,990
  • 2019/1/18 発売輸入盤レーベル: TACTUS RECORDS収録曲:Within this recording for the first time is brought to light the reading of the "Historia del Beato San Martino", a devotional text of the beginning of the sixteenth century which narrates in a fresh and popular language the events of San Martino of Tours, through a colorful account of his life in a dialectal, proverbial and domestic jargon, which plunges us into the typical mixed atmosphere of divine and profane of the end of Humanism and beginning of the Renaissance. The reciting voice of Roberto Cascio is flanked by the instrumental ensemble of the Cappella Musicale di San Giacomo Maggiore in Bologna. The choice of music was based on the particular period of Italian music prevalent at the end of the 1400s and the beginning of the 1500s, and, in particular, on the widespread devotional-laud genre and the use of spiritual camouflaging (in fact, the melodies derived from the secular repertoire, which, in turn and very often, came from the many French composers who, at that time, frequented the most important Italian courts).

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