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The most comprehensive book on Kodojin's art ever published--beautiful and mysterious--a collection of more than 100 paintings with English translations of the inscribed poems.The Art and Life of Fukuda Kodojin is the first publication in English to offer an in-depth examination of Kodojin's life，painting，and poetry. This fully illustrated publication draws from institutions and private collections worldwide，and is the result of fifteen years of extensive research into almost eight hundred works of inscribed poetry，literati landscapes，brush paintings and calligraphy. A beautiful and contemplative look into the world of Kodojin，this coveted edition accompanies a special exhibition held at the Minneapolis Institute of Art.Unique，mysterious and distinctively expressive，The Art and Life of Fukuda Kodojin offers an unprecedented walk through the Old Taoist's mind，sure to both surprise and enlighten the curious reader，scholar，or literati enthusiast.福田古道人の芸術と生涯明治から昭和初期にかけて活躍した南画家・俳人である福田古道人の作品と生涯を、初期から後期まで100枚以上の絵画と画中に書かれた詩を通して紹介します。異様に高く聳え立つ山々を描く彼の作品はどこか瞑想的で美しく、落ち着いた色合いから色彩豊かなものまで見ている人を惹きつけます。画中に書かれた詩の原文と英訳に加え、彼の作風や生涯についての解説も充実しており、古道人の世界観をより深く理解していただける貴重な作品集のなっております。

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This book traces the past 150 years of Japan’s diplomatic history, focusing on the thoughts and actions of the leaders of the Ministry of Foreign Affairs since the ministry’s establishment in 1869. It includes a discussion of the last fifteen years of the Edo period, beginning with the arrival of Commodore Perry in 1854. Since the Meiji era, Japan’s foreign policy has been informed by its response to that “confrontation from the West.” This foreign policy has been largely based on “accommodation diplomacy” (also called responsive diplomacy). Japan has designed its diplomatic response with an eye to its own foreign policy goals, applying the metric of what might be feasible more than what might be desirable. In “accommodation diplomacy,” the international issues, international order, and the rules of the game are not defined. In that sense, there has been no all-encompassing strategy behind Japan’s foreign policy. Instead, Japan has regarded the international situation simply, as a set of facts. It has sought to maximize the benefits to itself while minimizing risk. Its foreign policy has been an attempt to solve this conundrum through accommodation. Reflective of the times, this has required an abundance of creativity. Japan has needed to be both pragmatic and forward-thinking in its response to changes in the international environment. In the postwar period, as Japan aimed to elevate its standing in the competition-driven international environment, its foreign policy can be understood as an extension of the way it had comported itself since the Meiji era: emphasizing cooperation and coordination with other nations while responding to changes in the international environment.

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『コンパス日本語［中級］ワークブック』に対応した参考書。語彙表、漢字表、文法解説に加え、練習問題、読解問題も付いている。ワークブックを主教材にし、リソースブックを補助教材として復習で使うと、より効果的に学習できる。■ What is “COMPASS JAPANESE [INTERMEDIATE]” program?“COMPASS JAPANESE [INTERMEDIATE]” is a content-based Japanese language learning material developed with reference to the framework of global competence. Through cultural and social themes，it cultivates the ability to think，summarize，and present ideas about Japan，one's own country，and oneself.“COMPASS JAPANESE [INTERMEDIATE]” comes with a workbook and a resource book. The workbook can be used as the main textbook on its own，but it is more effective when used in conjunction with the resource book.INTERACTIVE WORKBOOKThe workbook contains reading comprehension passages，activities，and tasks that can be used as the main textbook for the course.RESOURCE BOOKThe resource book can be used as a supplementary material to the workbook and contains the following:・Vocabulary lists and practice exercises・Kanji lists and practice exercises・Grammar explanations and practice exercises・Reading comprehension practice exercises with audio

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This masterly translation by Edward G Seidensticker，first published in 1976 with an informative Introduction，does not attempt to supplant Waley's，but rather to reflect with more accuracy and with less elaboration the work that Lady Murasaki actually created while in the service of the empress Akiko in the first decade of the eleventh century. 『源氏物語』（サイデンステッカー訳）英文版『源氏物語』は日本文学の最高傑作であり、世界で最初の小説と考えられてきました。1976年に出版されたサイデンステッカーによる翻訳は、ウェイリー版では省略された「鈴虫巻」も含む全巻の英語訳であり、原文に忠実であることと和歌の翻訳にも工夫を凝らしていることが特徴といえます。『絵入源氏物語』の挿絵もすべて掲載されており、欧米の日本古典文学の研究者にとっては待望の書として広く受容されました。

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